Mark Yokoyama leads a writing workshop at the BirdsCaribbean International Conference, July 2017, Topes de Collantes, Cuba. (Photo by Jenn Yerkes)
Primaries and ceres, tarsi and rookeries, vagrants and barbules—good words for birders, mumbo jumbo to most folks. Avoiding jargon was one of many tips shared in the writing workshop Reaching People. The workshop was led by Mark Yokoyama as part of BirdsCaribbean’s 21st International Conference in Cuba.
Most people like birds, but many people writing about birds fail to connect with a general audience. We forget to tell a story. Facts are given without context. There is no natural flow from one idea to the next. Often, the writing itself is too difficult for most people to read.
It doesn’t have to be that way. Science writing can be engaging—our favorite writers do it all the time. Complex ideas can be explained simply—great teachers know how. The workshop focused on these two ideas: storytelling and accessibility.
Workshop participants practice and get peer feedback. (Photo by Jenn Yerkes)
Picking key facts and ordering them logically helps turn a topic into a story. Adding details that grab a reader, and knowing what to cut are also crucial. Participants worked on their own stories during the class. Some even worked on a press release about the conference to send out when they got home.
The second half of the workshop focused on accessibility. Many were surprised to learn that the average adult in the US reads at about an 8th grade level. Unfortunately, many press materials are written at college level. This is a serious mismatch.
Luckily, we can be more readable just by using plain language and clear sentences. During one activity, participants found they had written sentences up to 60 words long without knowing it. Want to be easier to read? Find out what’s making your writing hard. There are even online tools that measure readability and suggest what you can change.
In just three hours, the group had a new set of writing tools and some hands-on practice. Jealous? Don’t be! You can download the workshop as a handout and run through it yourself. You can also download a copy of the slides and lead your own workshop. With birds and habitats under threat in the Caribbean, it has never been more vital to spread our message. Writing for everyone is a great start.
The new French version of BirdSleuth Caribbean (Connecting Kids through Birds—Teaching how to study, appreciate, and conserve endemic and migratory birds in the Caribbean) – 57 pages of lessons and activities.
BirdsCaribbean is excited to announce that our popular BirdSleuth Caribbean curriculum and supporting materials are now available in French.
BirdSleuth Caribbean is an innovative program designed to teach young learners how to study, appreciate and conserve Caribbean birds. It is part of a larger BirdSleuth program developed by the Cornell Lab of Ornithology. The original, US-based BirdSleuth program was adapted specifically for the Caribbean and has been a success in engaging students across the region with their native birds.
This BirdSleuth curriculum includes many fun activities which are perfect for kids that benefit from a hands-on lesson—and who doesn’t? Activities include creating a bird journal, learning how to use binoculars, and conducting bird counts. The best part is, these are the same skills that adult birdwatchers and scientists use. In fact, the bird counts can be entered into the citizen science website eBird Caribbean and used in actual scientific research! This teaches kids that their observations are important in addition to building their science skills. Their data can help scientists learn more about complicated topics like bird migration.
Educators from Puerto Rico, Cuba and the Dominican Republic share their bird journals from the International Training workshop in Nassau, Bahamas. Left to right: Israel Guzmán (Sociedad Ornitológica Puertorriqueña Inc., Puerto Rico), Ianela Garcia Lau (University of Havana, Cuba), Johanna Rodriguez Paulino (Grupo Acción Ecologica, Dominican Republic).
One benefit of the program is the opportunity to get kids out into nature where they can be active, and observe and connect with the animals in their environment. The overall goal is to develop a strong conservation ethic in young people and promote commitment to environmental stewardship by increasing their knowledge and interest in birds, nature and science. Because of the diverse cultural backgrounds in the Caribbean, it is important that BirdSleuth is available in the languages spoken across the region.
Twenty-seven educators from around the region attended an intensive 3-day International Training Workshop for BirdSleuth in the fall of 2014 in Nassau, Bahamas. Since then they have been using the English and Spanish versions of the curriculum to train local teachers how to use the program. They have also been using BirdSleuth activities in their annual bird festival events, after-school programs and summer camps with great success.
Jermy Shroeter, a ranger at the Blue and John Crow Mountains National Park, helps a BirdSleuth Caribbean camp participant in Jamaica identify a bird in the Bird Detective game (Lesson 8)
“We can’t wait to use the curriculum here in Guadeloupe” said Anthony Levesque. “It’s so important to teach our young people about science, nature and conservation – birds can definitely act as that spark to ignite an interest in the natural world. Students also learn that they can contribute to local conservation efforts and science through their actions.”
Read more about our BirdSleuth Caribbean program here. The curriculum and supporting materials are available for free download in English, Spanish and French at this link. A limited number of printed copies will also be available. Contact Lisa Sorenson at Lisa.Sorenson@BirdsCaribbean.org for more information.
We are grateful to Parc National de la Guadeloupe for funding the translation of the curriculum to French. Many thanks to Nathalie Hecker for her excellent translation of the BirdSleuth Caribbean curriculum and materials.
Beautiful Bahama Birds by Carolyn Wardle, Lynn Gape and Predensa Moore focuses on common birds and is targeted toward young and beginner birdwatchers, as well as tourists.
This attractive, informative little guide is the most recent contribution in a series of island-specific bird guides supported by BirdsCaribbean and the U.S. Fish and Wildlife Service. Targeting high school-aged students, beginning bird watchers, and tourists to the Bahama Islands, the guide highlights 60 common birds of the islands. With illustrations borrowed from Herb Raffaele et al.’s (1998) A Guide to the Birds of the West Indies reproduced in a very nice, large format, the book does a good job of synthesizing a general description and habitat for these species. I particularly like the book’s design, with the use of large, bold fonts, and employing colors without overdoing it to the extent that a page becomes a busy mess.
But this book is more than an identification guide too. Introductory chapters in Part I address why birds are interesting to us, and curious facts about birds. A chapter relates how to identify birds, but also covers how to find a bird in your binoculars, and how to become a better birder through learning songs and calls, choosing equipment, and respecting a code of ethics. And Part I includes advice on how to make your yard more bird friendly so as to keep birds safe and coming back for your enjoyment.
Finally, Beautiful Bahama Birds concludes with a well-thoughtout section on conserving birds. Appropriately, lands managed by the Bahamas National Trust and Important Bird Areas are highlighted not only as conservation success stories, but also as bird watching destinations. The many threats facing birds are briefly addressed, as are first steps which newly engaged bird watchers might take to help provide for birds. Finally, the book concludes with a selection of stories and poems that illustrate nicely how birds contribute to Bahamian culture.
The guide includes 60 common birds of the Bahama Islands described using large fonts and simple language- a perfect addition to any new birder’s collection!
Overall, I found Beautiful Bahama Birds to be a well-written and pleasingly designed book which does extremely well in providing an introduction to Bahamian birds. I would recommend it without reservations to any young person or adult interested in exploring what bird watching is all about. I would also suggest to anyone else contemplating writing a similar guide to add to the growing stable of island-specific introductions to bird watching, that they would do well to mimic the many qualities of this fine contribution to Caribbean birdlife
Beautiful Bahama Birds: Common Birds of the Bahama Islands is written by Carolyn Wardle, Lynn Gape, and Predensa Moore and published by Bahamas National Trust and BirdsCaribbean. The guide can be purchased in the US through Amazon here.
This review was provided by Dr. Steven Latta, Director of Conservation and Field Research at the National Aviary. It is featured in the current issue of the Journal of Caribbean Ornithology and can be viewed here.
Perhaps the only guide you’ll ever need for the island of Montserrat.If you are a birder visiting the island of Montserrat, this small book will be a necessary purchase. It has a full checklist of birds found on the island as well as photos and descriptions of all the most important and most commonly seen species. Unlike many books, the birds are grouped by habitat—wetlands, forest, open-country—which is practical in many ways and allows the authors to describe the birds and their place within an ecological community at the same time.
The title of this book is a bit misleading…in a good way. It contains a great deal of useful information above and beyond birds and birding. This volume gives a short history of the island, an overview of its geology, maps, directions and images of trails and points of interest and an overview of the non-bird vertebrates of the island. It even has notes on traditional uses of plants and highlights a few of the island’s insects and other invertebrates. It closes with a section of “Practical Information” covering transportation, shopping, dining and more.
Whether you think of it as a travel guide with a bird section or a bird guide with a travel guide added on, definitely get this book before your next trip to Montserrat. It is available as a PDF download for $8 or a print edition shipped internationally for 15 British Pounds, and you can purchase either both online. The book was written by Dr. Mike Pienkowski, Ann Pienkowski, Catherine Wensink, Sarita Francis and James “Scriber” Daley and published by the UK Overseas Territories Conservation Forum and Montserrat National Trust.
Size of Award: $3,000 is budgeted for several grants up to $1,000 each from the David S. Lee Fund. (thanks to a new anonymous donor, the size of the award is increased this year from $1,000 to $3,000)
Application Deadline: December 15th, 2016 at 5 p.m. EST.
Dave Lee holding a White-tailed Tropicbird in the Bahamas. (photo by Mary Kay Clark)
David S. Lee was a pioneering naturalist and conservation biologist who helped get BirdsCaribbean started nearly 30 years ago, and inspired many naturalists with his work and his writing. He was a man of many interests, and with respect to the Caribbean, published numerous papers and articles in the popular press on seabirds, Bahamian fish, turtles, snakes, bats, and orchids.
Donations from Dave’s wife, Mary Kay Clark and his mother, June Bash, allowed the establishment of the David S. Lee Fund for the Conservation of Caribbean Birds that will award money to conservation projects in his honor. The money is being held in a trust and will be used to award an annual grant for innovative projects that protect Caribbean birds and their habitats.
Goal of the Fund: The David S. Lee Fund for Conservation seeks to continue David’s passion for protecting wildlife. The fund will support direct, innovative conservation work in the Caribbean Region for birds and their habitats. The fund will be managed by BirdsCaribbean and used for annual small grants.
A striking male Magnolia Warbler perches momentarily on a branch while foraging for food during its spring migration. (photo by Gerald A. DeBoer, Shutterstock)
Eligibility: Scientists/naturalists working in the Caribbean, in conservation organizations or academic programs, may apply. Applicants should be students or early career ornithologists, conservationists, or wildlife professionals (i.e., not established faculty or senior staff of a conservation organization, less than 7 years post-graduation). A student must be enrolled in accredited Masters or PhD program in ecology, biology, conservation, or related field to be eligible. Applicants must be paid or sponsored members of BirdsCaribbean at the time of application.
Use of Funds: The funds can cover travel to field sites, living expenses in the field, or costs for equipment and supplies to conduct conservation projects. Examples of equipment and supplies include traps, cameras, automated recording units, nest boxes, etc. Ineligible costs include salary or other wages, overhead fees, etc. Projects that foster collaboration between scientists/naturalists in different island groups of the Caribbean, such as joint projects to test conservation techniques for similar species, will be favored.
Application Guidelines:
Proposals may be submitted in English, French, or Spanish. All should have an English version of the abstract
Applications should be emailed as a Microsoft Word document.
The application should include a cover page, proposal (see guidelines below), and a curriculum vitae for the applicant.
Separately, by email, three individuals who can attest to your effectiveness in previous work should submit letters of recommendation. For students, this would include your academic advisor.
Evaluation:
A committee appointed by BirdsCaribbean will review the proposals and award the grants.
The awardee will be required to submit a report one year from the day of the award explaining how the award money was spent and the results of the project to that point.
Awardees are encouraged to present the results of their work at the biennial International Meeting of BirdsCaribbean and publish in The Journal of Caribbean Ornithology.
But wait! What if you are not eligible to apply for funds, you ask? You can still support this worthy cause by being a sponsor!
Reddish Egrets (dark morph). (photo by Tania Thomson, Shutterstock)
This fund will be for the conservation of any bird in the Caribbean as a reflection of Dave’s diverse interests. He was an important part of many projects, ranging from those of the Black-capped Petrel and Seabird Working Groups to the scholarly debate leading to the elevation of the Bahama Yellow-throated Warbler to a full species.
At the moment the fund contains $12,000. Our initial goal is to raise $25,000 so that we can award $1,000 every year to a worthy student or early career ornithologist, conservationist or wildlife professional. Not only will this fund encourage creative field work for projects that make a difference, but it will also help build the knowledge and skills of young conservationists that are urgently needed to make sure that the Caribbean birds and habitats that Dave treasured are still around for future generations to enjoy.
Cuban Parrot surveying his domain. (photo by Elliotte Rusty-Harold, Shutterstock)
At the 2015 BirdsCaribbean meeting in Kingston, Jamaica, a round of beers was purchased in Dave’s honor, since he always seemed to have a cooler full when people wanted one (and even when they didn’t). Think of this fund like a cooler full of refreshing beverages that Dave would have around if he were here. We owe it to Dave to stock that cooler—to vitalize naturalists and empower them in their work to help wildlife.
Please give a tax deductible donation to the David S. Lee Fund. Give generously. The more we put into the fund, the more we can give out each year. Thanks to all those that have contributed to the fund!
If you prefer to donate with a check, please make the check out to “BirdsCaribbean” and in the memo section, note that it is for the David S. Lee Fund. If you have questions or to make other arrangements for donating, please feel free to contact Jennifer Wheeler, BirdsCaribbean Treasurer (jennifer.wheeler@birdscaribbean.org)
Checks can be mailed to: BirdsCaribbean, 4201 Wilson Blvd. Suite 110-174, Arlington VA 22203-1589
Dave Lee holding a White-tailed Tropicbird in the Bahamas. (photo by Mary Kay Clark)
David S. Lee was a pioneering naturalist and conservation biologist who helped get BirdsCaribbean started nearly 30 years ago, and inspired many naturalists with his work and his writing. He was a man of many interests, and with respect to the Caribbean, published numerous papers and articles in the popular press on seabirds, Bahamian fish, turtles, snakes, bats, and orchids.
Donations from Dave’s wife, Mary Kay Clark and his mother, June Bash, allowed the establishment of the David S. Lee Fund for the Conservation of Caribbean Birds that will award money to conservation projects in his honor. The money is being held in a trust and will be used to award an annual grant for innovative projects that protect Caribbean birds and their habitats.
This fund will be for the conservation of any bird in the Caribbean as a reflection of Dave’s diverse interests. He was an important part of many projects, ranging from those of the Black-capped Petrel and Seabird Working Groups to the scholarly debate leading to the elevation of the Bahama Yellow-throated Warbler to a full species.
At the moment the fund contains $12,000. Our initial goal is to raise $25,000 so that we can award $1,000 every year to a worthy student or early career ornithologist, conservationist or wildlife professional. Not only will this fund encourage creative field work for projects that make a difference, but it will also help build the knowledge and skills of young conservationists that are urgently needed to make sure that the Caribbean birds and habitats that Dave treasured are still around for future generations to enjoy.
The first call for proposals for proposals has been announced (deadline 15 December 2016) click here for information on how to apply) and the first award will be made in early 2017.
At the BirdsCaribbean meeting in Kingston, Jamaica in 2015, a round of beers was purchased in Dave’s honor, since he always seemed to have a cooler full when people wanted one (and even when they didn’t). Think of this fund like a cooler full of refreshing beverages that Dave would have around if he were here. We owe it to Dave to stock that cooler—to vitalize naturalists and empower them in their work to help wildlife.
Please give a tax deductible donation to the David S. Lee Fund. Give generously. The more we put into the fund, the more we can give out each year.
If you prefer to donate with a check, please make the check out to “BirdsCaribbean” and in the memo section, note that it is for the David S. Lee Fund. If you have questions or wish to make other arrangements for donating, please feel free to contact Jennifer Wheeler, BirdsCaribbean Financial Officer (jennifer.wheeler@birdscaribbean.org)
Checks can be mailed to: BirdsCaribbean, 841 Worcester St. #130, Natick, MA 01760-2076
Insightful and humorous, Justin Proctor offers some convincing reasons to look for the Caribbean’s ‘Big Five’ aerial acrobats and tips for how to identify them.
Aerial Insectivore silhouettes in front of sun. (photo by Justin Proctor)
Are you tired of really crisp, up-close views of beautiful Caribbean birds? Are you repulsed at the idea of having an extended period of time to view a bird, jot down detailed notes about its breath-taking plumage, and really connect with the moment? Well, I knew it; and I’m happy to say that here at Proctor & Proctor Inc., we can offer you something much more challenging! Let’s start by having a long, long look at the following Rorschach test (pictured right). And if at any time it becomes painful to keep your eyes on the image, just keep looking…
Alright, let’s reflect. Did you see a hamster? If you did, I’m gonna ask you to just kindly walk away now. If rather you saw some intriguing silhouettes of our feathered friends in front of our beloved Yellow Star, you’re sitting pretty. And if you took one quick glance and were able to immediately identify all the different species present, I think we can probably get you a movie deal.
Welcome to Aerial Insectivore 101. Class materials you’ll want to bring along include a good pair of Ray-bans, an imagination, and just a little bit of patience. Now let’s see if we can get you an ‘A’!
The “aerial insectivores” of the avian world are birds that predominantly forage in flight on airborne insects, and are largely represented by five families: potoos (Nyctibiidae), nightjars (Caprimulgidae), swifts (Apodidae), flycatchers (Tyrannidae), and swallows (Hirundinidae). However, even though they belong to the same dietary guild, each one of these families has a unique set of life history traits, which results in sometimes very different types of behavior. The swallows and swifts, in particular, can be a formidable challenge. Their flight is often fast and irregular, and the glimpse that an observer is afforded is usually a quick one, coming at an inopportune time, and more likely than not, set against an unforgiving background (the sun!). That being said, there are ways to offset some of these obstacles, with the most obvious one (to me) involving starting off with some of the easier to see species and working your way up (literally). Bird watchers, therefore, must implement different strategies for viewing — and ultimately identifying — the array of species in this group.
Within the Greater Antilles, whether you’re heading to the forests of Puerto Rico, the mountains of Hispaniola, the streets of Havana, or the beaches of Jamaica, there are several species of aerial insectivores that you have an excellent chance of getting to know. And whether you’re an expert birdwatcher capable of identifying Empidonax flycatchers from a hundred meters out, or you’re fairly new to the countless ID challenges that the avian world offers, the five species I’m going to highlight in this article are capable of entertaining (and surprising!) birders of all skill levels. I’ve chosen these species in particular because you can get fairly close to them in their natural habitats (well, you might think that White-collared Swifts are a stretch in that case, but I’ll do my best to convince you otherwise later on), which ultimately means that you’ll have an easier time relating to them.
With some of the species, I’ve included photo collages composed of shots taken by me “on the fly”, so to speak, so that you can get a more realistic idea of what you’ll probably be seeing through your pair of binoculars.
A pair of Cave Swallows looking out from their mud nest erected in an alcove of a limestone arch overhanging Jamaica’s northern coastline. (photo by Justin Proctor)
Cave Swallow (Petrochelidon fulva)
These little guys are a great species to start with because they are known to all of the Greater Antilles islands. One of the best contexts to find Cave Swallows in would be nearby to one of their communal roosts / nesting sites. Terrestrially, look around cave entrances or pocket-like formations in the sides of rocky cliffs. Coastally, look for limestone formations along the beach or just offshore. If they are there, you won’t miss them. Their nests are primarily made up of a mix of mud and plant fibers that have been attached to a vertical wall. If you can manage to get close, you might be lucky enough to see a pair of Cave Swallows sitting still in a nest giving you that famous 1000-yard stare.
Cave Swallows in flight from multiple angles under different lighting conditions, Jamaica. (photos by Justin Proctor)
However, let me be brutally honest for a second – Cave Swallows often have a way of mixing in with other foraging swallow and swift species, and simply put, these mixed-species flocks can be a nightmare of a time to sort your way through. And yes, when mixed in with Barn Swallows, Tree Swallows, and just as often a handful of swifts, Cave Swallows can become easily “lost in the crowd”. However, with a little practice, the subtle differences in plumage, size, and flight patterns will help you tease the birds apart. Cave Swallows are really stocky looking with short, square tails.
Caribbean Martin (Progne dominicensis) & Cuban Martin (Progne cryptoleuca)
Cuban Martin perched outside of nesting cavity, Cuba. (photo by Ianela García Lau)
This is a two-for-one special. If you’re going to be island-hopping, then I can’t include one without the other. Your search target is going to be similar for both. Caribbean Martins can be found from the Cayman Islands eastwards to the Lesser Antilles, ultimately down to Tobago. They are not found in Cuba, yet their conspecific, the Cuban Martin, is only found there. Both martins are hefty birds; to give you an idea they weigh roughly twice that of a Cave Swallow. They are incredibly adept cavity nesters, mastering the use of crevices in high mountain trees, urban buildings, coastal lighthouses, limestone cliffs, and even the masts of moving sailboats. You may already have some knowledge of their more widely spread congener, the Purple Martin (Progne subis), the mental image of which would be helpful as you seek out their Cuban and Caribbean counterparts. To see both Caribbean Martins and Cave Swallows nesting side by side, head to Cabo Rojo, Dominican Republic. For Cuban Martins, check out the beautiful Convento San Francisco de Asís in Havana, Cuba, where they are nesting in large numbers in the church walls.
Cuban Martin in flight, Cuba. (photo by Martín Acosta)
For photos of Caribbean Martins, and to become acquainted with an ongoing effort tracking their numbers and distribution, check out the Caribbean Martin Survey information page.
Antillean Palm-Swift (Tachornis phoenicobia)
This is going to be the most noticeable and easy to identify swift out there. However, that doesn’t mean you’re going to get a really good look at one right away. They are fast, and they are small. Luckily they are gregarious and colonial nesters, which means that you will usually come across them in large numbers as they forage or move into and out of their nests – which, amazingly, are a blend of saliva, plant fibers, and feathers attached to the undersides of dead, hanging palm fronds. Look for Antillean Palm-Swifts nesting in large, isolated palms either in the country-side or in urban parks. Or, if you’re a fan of the beach, keep a watchful eye on any nearby “tiki-huts” that have roofs made of palm fronds. You’ll find it mesmerizing to watch the little swifts fly seamlessly up into a mat-like cluster of palm fronds at what seems to be an impossible speed. The strong contrast of their dark grey / black bodies with their white rumps will be an immediate indication of who you are looking at.
Antillean Palm-Swifts in flight as well as entering and exiting nests located within the hanging fronds of palm trees, Jamaica. (photos by Justin Proctor)
4. I’ve introduced you to the smallest swift you’ll find in the Greater Antilles, so it seems appropriate to bring the largest swift of the region into the equation. An all-around phenomenal bird, the White-collared Swift doesn’t get the attention it deserves, and I think I know why. Wetmore and Swales (1931) summarize the problem perfectly:
“…through its great speed in flight so annihilates distance that flocks may appear temporarily almost anywhere.”
I can attest to that. They are damn fast. Most birdwatchers, in fact, struggle to describe their behaviors from anything more than observations lasting a handful of seconds. The reason is that White-collared Swifts are true residents of what we call the “seventh habitat”- the skies above us – and their movements through that habitat are extremely difficult to track by conventional methods. Normally, in that case, we would default to observing them at and around their nests. Yet these swifts nest on vertical cliffs alongside or behind waterfalls, usually located in the most remote, rugged terrain available. It is no wonder then why following them to a nesting site and subsequently studying them there are often daunting tasks.
White-collared Swifts in flight, Jamaica; top photo is a good depiction of the species viewed head-on from a mountain top. (with the observer positioned at the same elevation that the swifts are flying) as they come together to flock in the evening. (photos by Justin Proctor)
But despite our resulting paucity of scientific knowledge on this species in the Caribbean, I can still try to promise you great views of White-collared Swifts. Go inland, climb to the top of a low-vegetated hill or mountain (ideal if you are offered 360 degrees of view), sit down and begin scanning the horizons. Target the hours around dusk and dawn, when White-collared Swifts are known to flock up, as opposed to midday when they tend to disperse into smaller foraging pairs. I’ve had extremely good luck following this protocol, finding myself within stone-throw distance of large foraging flocks. The white collar around the neck and scythe-shaped wing profile are solid indicators that you’re seeing the correct bird. [If at any time Black Swifts decide to enter the equation (the only other commonly occurring swift species in the Greater Antilles), I’ll have to encourage you to attend Aerial Insectivores 401, a (pricey) advanced class that requires a higher level of discipline, courage and utter confusion.
Northern Potoo perched on a fence post near the Windsor Research Station, Trelawny Parish, Jamaica. (photo by Justin Proctor)
Northern Potoo (Nyctibius jamaicensis)
Let’s move now from the diurnal species to a nocturnal favorite, the Northern Potoo. These birds actively hunt for insects at night by sallying out from low-lying perches where they remain camouflaged and motionless until prey is spotted. If you’ve got a little bit of energy left in you after the sun goes down, and you also remembered to pack a decent headlamp or flashlight, I can’t encourage you enough to just go for a little walk down a quiet road nearby. Pasture roads are best, as they are often lined with fence posts – a favorite perching spot for potoos. But before you start shining your light slowly around from one potential perch to the next, stand still in the dark and just listen. Oftentimes the call of a potoo will help navigate you close enough to the bird to get an immediate visual upon turning on your light. Keep in mind that potoos rely on darkness to hunt, and that a beam of light to the eye is unnatural and stressful. Illuminate the bird with only the outer, weaker edge of your light’s beam, and keep your observations brief. A good sighting of a potoo is an unforgettable memory to take home from your Caribbean vacation.
So why are aerial insectivores worth your time and effort?
My answer to that is “high rewards”. Many of these species display incredible behaviors that you won’t see anywhere else. Once you cue into them, they become addicting to watch. They also make you think differently about the complexities of the sky above you and the ecosystem that it supports. Amazingly, most of this goes largely unnoticed by the masses. Aerial insectivores are an entire branch [metaphorical pun, not taxonomical] of the avian world that often gets pushed to the back pages of birders’ “must-see” lists because of the challenges often associated with seeing and identifying them. However, I think it’s important to reinforce the fact that most of them aren’t more difficult to view compared to other families of birds, they just require the implementation of different search tactics. So why not be the first one in your birding group to notice a vortex of swirling White-collared Swifts, or identify a mixed flock of four different aerial insectivore species feeding together on a swarm of flying ants over the beach?
The scientific community is discovering new and exciting information about these guys all the time, which is important, because there are growing concerns that several of the aerial insectivore species have been facing noticeable long-term population declines. The cause(s) aren’t definitive yet, but likely point towards an amalgam of changes to their habitats and food supply. Excitingly, a lot of the ground-breaking work underway has been – and continues to be – sparked by observations from birdwatchers like you. That’s why it is critical that you contribute to these efforts by entering your observation checklists into eBird Caribbean. So the next time you find yourself in the Caribbean, shoo those obnoxious Crested Quail-doves and Rufous-throated Solitaires away, and set yourself up in a good position to scan the skies for some aerial insectivores cruising by.
Who’s with me?
Justin Proctor is a long-time contributor to BirdsCaribbean. His professional career includes lead roles in movies such as Jurassic Park 18 as well as the Titanic sequel: Jack and the Penguins Strike Back. Modestly put, he dabbles (4x consecutive Pulitzer Prize winner) in writing mildly comical pieces for scientific magazines. Although he’s 30 years old, some people think he only looks 29. He lives in Raleigh, North Carolina with his exotic wife and no children that he knows of.
I’ve been on a Warbler-fest. I am very fortunate to have recently observed several endemic Caribbean warblers, from the Elfin-woods Warbler of Puerto Rico to the Plumbeous Warbler on Guadeloupe. I also watched dozens of North American migrants as they island-hopped northward from the tropics. And, I just returned from Magee Marsh on the shore of Lake Erie, where many warbler species make their final stops before reaching their breeding grounds. Warblers are among the most beautiful and entertaining Caribbean birds, but they can also be some of the most challenging birds to identify. As an educator and professional naturalist, I want to help you make species identification fun and simple.
The Lesser Antillean endemic Plumbeous Warbler, showing its boldly contrasting facial and wing markings; winter in Guadeloupe. (Photo by Stephen Shunk.)Male Black-throated Blue Warbler, overwintering at Goblin Hills Villas in Portland, Jamaica. Aptly named, this is one of the easiest warblers to identify and remember! (Photo by Stephen Shunk)
The New World Warblers—family Parulidae—include approximately 115 species in 25 genera found from South America to Alaska. With about 40 regularly occurring species in the Caribbean, they are a family every birder should know. Caribbean endemics comprise 15 species; 20 more are winter residents; and a few more only pass through the islands on their bi-annual migratory journeys between the Americas. This wide variety of warblers makes the Caribbean a year-round land of colorful ornaments glowing across the landscape.
The Hooded Warbler has a yellow face with black crown and throat forming a “hood.” This male was photographed in Puerto Rico. (Photo by Luis R. Alvarez Lugo)
From winter through spring, males molt into their flashy breeding, or alternate, plumages; this is prime time to witness their brightest colors. Each fall, however, the southbound birds—adults and young—arrive in the Caribbean showing their remarkably more subtle fall, or basic, plumages. I can’t think of a better place to study “those confusing fall warblers.” Let’s learn a bit more about identifying these fascinating birds—in all seasons.
Hints on Observing and Identifying Caribbean Warblers
What is a Warbler?
Comparison of warbler head profile with other birds. Note the short and slender bill of the warbler, adapted for catching tiny insect prey. (Illustration by Christine Elder)
Many Caribbean songbirds are easily confused with warblers, but observing a few subtle characters can help identify birds in the warbler family. For example, sparrows, grassquits, and finches are similar in size and shape, but warblers have more delicate bills adapted for catching their tiny insect prey. Warblers also superficially resemble vireos, but the vireo bill is typically thicker than that of the warbler, usually with a noticeable hook on the upper mandible. Other warbler-esque birds include gnatcatchers, which are smaller bodied but with longer tails; wrens, with longer bills and hunched postures; and the larger thrushes, which forage mainly on the ground.
Comparison of warbler body profile with other birds. (Illustration by Christine Elder)
The New World Warblers do have a suite of unifying characters that will help separate them from these other songbirds. Most warblers are small-bodied and thin-billed. Most are colorful and more strongly patterned than similar birds. A majority have some yellow and black, with various species adding red, blue, grey or brown markings. And warbler songs tend to be fast and high-pitched. A handful of warblers are a bit less ‘warbler-like,’ including the slightly larger ground-feeding Ovenbird and two species of waterthrush.
Start with the Species Characteristics
Late spring male Northern Parula, showing its brightest colors at Magee Marsh, Ohio, USA. Note the broken eye ring, two white wing bars, yellow breast and throat, and black and reddish band across the breast. (Photo by Stephen Shunk)
Identifying showy males in their breeding colors can make one feel like an instant expert, but it helps to learn a few subtle field marks that are typically displayed by both sexes. For example, the male and female Northern Parula both exhibit a broken eye ring, a yellow lower mandible and two white wing bars. If you happen to spot a colorful male first, search nearby branches for a female to study her more subdued colors. In many cases, Caribbean endemic species, such as the St. Lucia, Adelaide’s, and Barbuda Warblers, show less sexual dimorphism than migratory species.
Note Behavior
Palm Warblers constantly bob their tails, a behavior that helps to identify this species. This handsome male was spotted in Puerto Rico – the dark reddish brown crown shows this male is in breeding plumage. (Photo by Gabriel Lugo)
We often think of warblers as nervous birds flitting among the branches high in the treetops, but exceptions abound. The Black-and-White Warbler acts more like a nuthatch, climbing up and down along the tree trunks; the Palm Warbler is a habitual tail-pumper; and the male American Redstart fans its beautiful black and orange tail when foraging. As breeding season approaches, only males of the resident species will typically be heard singing, with migrants only uttering a confusing array of ‘chip’ notes.
Location, Location, Location
Ovenbirds tend to forage among the woodland leaf litter. Note the bold white eye ring, heavily streaked white underparts and orange crown bordered by blackish stripes. This adult was photographed in spring in Puerto Rico. (Photo by Gabriel Lugo)
Knowing the habitat preferences of different species could quickly help you make an identification. Coastal mangroves, dry scrub lands, pine forests and mountain-top cloud forests will each have its unique assemblage of species. And within each habitat, you’ll find certain species partitioned into microhabitats. While the Ovenbird, Northern Waterthrush and Lousiana Waterthrush share similar habitat on the forest floor, you’ll notice that the waterthrush species are nearly always seen foraging right along a muddy creek bank or pond edge, while the Ovenbird tends to forage among the woodland leaf litter.
Observe Color and Patterns
A male Common Yellowthroat singing on Abaco Island, in the Bahamas. Note the bold black face mask, yellow throat and breast. (Photo by Keith Salvesen)
You mainly see the underparts of canopy-loving species, but many of these species are identifiable from this angle. The American Redstart shows a patchy orange and black undertail, and the Yellow Warbler shows a solid yellow tail, undertail coverts, and belly. If you’re lucky enough to observe a bird lower in the canopy, you’ll want to pay attention to plumage features like eye rings, crown stripes, cheek patches, breast streaking, wing bars and rump patches. Many species have patchy yellow and black, so note the locations of each color; the male Common Yellowthroat sports a bold black face mask but the Hooded Warbler shows a yellow face with black crown and throat!
Watch from All Angles
Male Yellow Warbler showing the red crown and deep breast streaking of the Lesser Antillean race. (Photo by Stephen Shunk)
Many species may be readily identified from a single field mark—like Martinique’s Yellow Warbler, with its reddish-brown head or the Magnolia Warbler with its bold black breast streaks. Identifying other species, however, may require that you see the bird from different angles to observe multiple field marks. Challenge yourself to keep watching a bird and learn its more subtle markings. The next time you get only a fleeting glimpse of the same bird’s rump or belly, you’ll be more confident in its identification, not to mention, impressing your less observant birding pals!
Use a Field Guide
A male Blackpoll Warbler in fall migration and winter plumage, like this male seen in Guadeloupe, is rather nondescript – look for white wing bars and under tail coverts, faint side streaks and pale legs. Males in breeding plumage in spring look very different—they have a black cap and white cheek patch. (Photo by Anthony Levesque)
A good field guide will help narrow down the possibilities with each bird’s status, range and habitat descriptions. For example, if you’re in Puerto Rico, your field guide will tell you that that the Elfin-woods Warbler is endemic on the island but that the similarly streaked Blackpoll Warbler is not likely to be found in the same forests. Field guides can also help you decide among similar-looking species by comparing their levels of abundance. Thus, a yellowish warbler seen in the Bahamas is more likely to be a Pine or Yellow Warbler than the locally rare Nashville.
Sketch the Birds!
Quick field sketches of different warblers with simple watercolors showing some key field marks. (By Christine Elder)
Follow the lead of the early naturalists. Keep a journal of your bird observations with notes and sketches. If you look at a bird long enough to sketch it, you will have a much better image in your mind than if you simply see the bird in your binoculars. Don’t dwell on how rough your finished sketches may seem; the simple act of sketching will help you learn the birds. Add written notes to your sketches to increase your chance of identifying a given bird –jot down characters of its song, its feeding behavior, its habitat and its color (be specific, like lemon yellow or slate blue).
Study Warblers throughout the Year
Don’t be intimidated by the thought of your sketches needing to look like ‘fine art’ or to resemble those found in field guides. Approach sketching as just another way to document your time in the field, valuing the process over the product, and I promise you’ll gain much in your ability to recognize a species the next time it crosses your path. Once you have a handle on knowing your fancy late winter and spring warblers, keep watching them through the late summer and fall, as they fade into their basic plumages. Learn the shapes and postures of the birds, as well as their favorite habitats during this season. Warblers give you a year-round reason for taking a sketching stroll, or just spending time outside. Key into subtle differences among similar species, and you will be a warbler star before the birds leave the islands the following spring!
Summary of Things to Notice when Identifying a Warbler
Most warblers have a similar body size and shape with a fairly short and slender bill. So your challenge is to notice what is different about them, which mostly comes down to plumage and behavior.
Coloration and color patterns:
Warblers come in two basic varieties; one type is relatively plain brown with some subtle streaking (like Ovenbirds and waterthrushes) and the other type is brightly colored and patterned, with varying amounts of yellow, red, blue, white and black (like the Prothonotary Warbler or the Black-throated Blue Warbler).
Also look for the following:
This male Prairie Warbler, spotted in the Blue Mountains of Jamaica, has yellow underparts, distinctive black side streaks, yellow eyebrow stripe and yellow patch below the eye. It bobs its tail while foraging. (Photo by Sam Woods).
• An eye ring; its color, and whether it is complete or broken • Stripes around eye; either across, above, or below the eye • Patches of color on the cheeks or rump and their color • Stripes or streaking on the throat or breast • Wing bars and their color • Underparts (since that’s the only view you’ll often get of many species who flit quickly about in the treetops!). Notice the colors and patterns on their breast, belly, sides and undertail coverts.
Behavior:
• Is your warbler foraging in the trees or on the ground? • Does it fan its tail, spread its wings, bob or ‘wag’ its tail? • What angle does the bird hold its tail in relation to its body? • Is the bird’s gait hopping, walking or shuffling? • Character of its voice, the male’s song and the call and flight notes of both sexes
Identifying Warblers in the Field cheat sheet (illustrations by Christine Elder)
I have created this handy-dandy info-graphic for you to download. This Identifying Warblers in the Field downloadable pdf has bird templates for you to sketch on, adding field marks you see in the field, with tips on what to look for on birds to help identify them. Print it out, attach it to a clip board, and bring some colored pens or pencils with you next time you’re in the field.
Parts of a bird cheat sheet (illustrations by Christine Elder)
Many warblers have complex color patterns, especially on their heads. These patterns often follow the feather groups, for example, a stripe on the crown or a cheek patch on the auriculars, so it’s a good idea to learn the names and placement of these groups. This is a two-page pdf that includes a blank page for you to color code. By Christine Elder, a naturalist, educator and artist from Oregon who loves to travel, write and sketch birds. Christine taught sketching to Jamaican youth at our one-week BirdSleuth Caribbean summer camp (July 2015), held in conjunction with our 20th International Conference in Kingston, Jamaica, and gave a workshop on how to sketch birds at the conference. Find more hints on identifying warblers and using sketching as a learning tool at www.ChristineElder.com/warblers.
Late spring male Magnolia Warbler, showing his bold black under-stripes and just a bit of its bright yellow rump. Magee Marsh, Ohio, USA. (Photo by Stephen Shunk)
Recommended Field Guides for the Caribbean:
Birds of the West Indies (Second Edition). 2020. H. Raffaele, J. Wiley, O. Garrido, A. Keith and J. Raffaele. Princeton University Press. 288 pages. A Guide to the Birds of the West Indies. 1998. H. Raffaele, J. Wiley, O. Garrido, A. Keith and J. Raffaele. Princeton University Press. 511 pages. Note: although this book needs updating, it contains a wealth of information about all the species that occur in the West Indies. The hardcover has 86 color plates, detailed species notes, range maps and a handy Locality Checklist in the back; the softcover has 94 color plates, species notes and colored range maps.Birds of the Dominican Republic and Haiti. 2006. S. Latta, C. Rimmer, A. Keith, J. Wiley, H. Raffaele, K. McFarland, and E. Fernandez. Princeton Univeristy Press. 258 pages. Endemic Birds of Cuba: A Comprehensive Field Guide, including West Indian Endemics Residing in Cuba, by Nils Navarro. Available for purchase on our website at the link above (scroll down). 2015. Ediciones Nuevos Mundos, 168 pp.
Black-and-white Warblers are one of the easiest to identify for obvious reasons. They are known also for their behavior of climbing tree trunks and branches upward or downward probing the bark for insects and spiders. This male was spotted foraging in the Dominican Republic. (Photo by Dax Roman).
Cape May Warbler male in winter plumage in Jamaica. Note the heavy striping on the breast, eye stripe and faint cheek patch. The cheek patch is a bright chestnut-orange when the male is in breeding plumage. Females are duller, with a grayish-olive cheek. (Photo by Ricardo Miller)
The revolutionary new field guide, Endemic Birds of Cuba – A Comprehensive Field Guide, was over ten years in the making.
A revolutionary new field guide, Endemic Birds of Cuba – A Comprehensive Field Guide is now available for purchase. This ground-breaking guide, authored by Nils Navarro, extraordinarily talented wildlife artist, illustrator and scientist, was over ten years in the making. It promises to set a new standard for field guides.
This is the first field guide focused on Cuban endemic birds. The book is worth owning for the artwork alone. The first thing to note are the large, stunningly beautiful illustrations. Each bird comes to life on the page, thanks to Nils’ intimate knowledge of each species from countless hours of careful observation in the field. The author also photographed and studied museum specimens to ensure that all details were accurately captured.
BirdsCaribbean was honored to launch this one-of-a-kind field guide in July 2015 at their 20th International Conference in Jamaica with a keynote address by Nils. Copies sold out immediately with rave reviews by members, avid bird watchers, ornithologists, and conservationists. The guide is praised not only for its gorgeous artwork and comprehensive information, but also for its innovative concept. Unlike other guides, this one combines the best of both the British birding style of writing detailed notes while in the field together with the North American preference of using a field guide and checklists while birding. Read more
Patrimonio Vegetal is part of BirdsCaribbean’s effort to provide resources in multiple languages.The BirdsCaribbean-produced guide to bird-friendly gardening with native plants has been translated into Spanish and is available now on the Resources page of the BirdsCaribbean website. The book—called Heritage Plants in its English edition—was produced collaboratively by members of BirdsCaribbean and translated into Spanish by Juan Carlos Fernández Ordóñez. It was produced to accompany the 2015 International Migratory Bird Day theme: Restore Habitats, Restore Birds.
The book emphasizes the importance of native plants to Caribbean birds and other animals. While many islands are heavily developed, bird-friendly gardening and native tree plantings in neighborhoods can help people and wildlife co-exist. The trees and plants featured in the book were selected specifically for their value to birds. The book also includes general advice about creating bird-friendly backyards and habitat renewal as well as links to resources with additional information.
From images to audio, a wealth of information about the birds of the Puerto Rico bank just went pocket-size.Did you ever wish you had a bird guide in your pocket wherever you go? For iPhone users in Puerto Rico and the Virgin Islands, your dream has come true. The mobile app Puerto Rico and Virgin Islands Birds in Photos and Audio is the perfect companion in the field. This bilingual (English & Spanish) app features all 382 birds found in the area.
This thoughtfully-designed app lets you identify birds, browsing alphabetically or taxonomically. Beginning birders looking to ID the species in their backyards can filter results to show only common species. Users can also use the app to record their bird sightings and even export this information. If you just want to see birds, there is a slideshow mode featuring highlights from the 3,000 gorgeous photos in the app.
Listings for each bird include detailed species accounts, and advanced birders will love the audio that is included for almost every species. Over 360 audio recordings are just a touch away. The resources section includes information about Caribbean birds and introductions to key topics like biogeography, conservation and migratory birds.
Available for $9.99 from the App Store, it is compatible with iPhone, iPad and iPod Touch. It is optimized for the iPhone, so if you are using an iPad, be sure to view iPhone apps when searching in the store. More information about the app is available at: http://puertoricobirds.com/prandvibirdsapp.html
